Oct 2004
Issue 053

Out now!


Seizing the Day

For years, Frank P. Riva has worked in the business end of the art scene. For his latest venture, the France-turned-Kansai resident has built a business around a truly artistic scene. You're invited to step into this scene, roll out a futon, and be his guest.

You awake to the sound of cicadas, the smell of fresh tatami. Rub your eyes, slide back the shoji door, and there lies a garden. It's lush, peaceful — your very own pocket of paradise. Birds are perched atop a stone lantern. Carp swim under the tiny bridge. A bending path beckons. This isn't a dream. This isn't a scene from an Oshima movie. This is Carpe Diem.

Riva manages the Osaka guesthouse named after, and built upon, Horace's ode to joy. As an editor of art multiples, Riva possesses an eye for flair and beauty. With Carpe Diem, he's turned this eye onto a dilapidated house to create an idyllic sanctuary.

“The house was in a really bad state. The garden hadn't been taken care of for years,” he says, pointing to the manicured yard. “That, if you can imagine, was a jungle! You couldn't get in. You couldn't cross the bridge. It was a mess.”

“But still,” he adds, “here in the middle of Osaka you had all this green, this mysterious garden that I couldn't help but fall in love with.

I thought “What could I do with this house? It's beautiful, and I'd like the opportunity to have foreigners see it.”

His solution, to turn the 55-year-old home into a resting spot for tourists, was warmly received by the property owner.

“Lots of people come to Japan and stay in hotels, or if they are adventurous, they go to Kyoto and stay in a temple,” says Riva. “A temple, however, is very small. You have a nice atmosphere, but it's not very relaxing.”

“There are three, maybe four, youth hostels in Osaka,” he continues. “They are clean and the prices are the same as Carpe Diem, but what you end up with is a small room like the one you'd get in New York or any other city. Carpe Diem offers a different kind of place.”

For a very modest fee, travellers can spend a night in this tradition-al Japanese house. The living quarters are spacious, clean, and freshly refurbished by Riva himself. The garden may just be the most tranquil and attractive you'll find in central Osaka. And unlike a ryokan or minshuku, Japanese bed and breakfasts, Carpe Diem has no set meal times or curfews. Guests are encouraged, as the name would suggest, to simply enjoy the moment.

“You could accommodate up to 30 people here if arranged properly,” says Riva, eyeing Carpe Diem's 1000 square metres of living space, “but that's not what I really want. I want a small guest house where people pay a small fee to have a nice, relaxing place.”
He strives to make his guesthouse more than just a roof over customers' heads. Fluent in Japanese, and having lived in Kansai for 17 years, Riva is more than happy to aid travellers with his knowledge. “I can arrange things. I can help making reservations. I can direct people to small, lesser-known places - basically to the Japan that I know and like.”

He also aims for Carpe Diem to be a place where cultural exchang-es occur. Three rooms will be used as contemporary art galleries. The garage is being transformed into a cooking lab for French cuisine demonstrations. Ikebana (flower arrangement), sado (tea ceremony), and kitsuke (the wearing of kimono) lessons are available to foreign guests, and French, English and art classes for locals are in the planning stage.

Carpe Diem
Nakahama 3 chome, 2-14 Joto-Ku, Osaka 536-0024
Nearest Stn: Midoribashi Stn. (Subway Chuo Line / JR Loop line)
http://www.personalize.co.jp/fmr/carpe_diem/index.html
Tel: 06-6961-0444

Text: Rori Caffrey • Photos: KS

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:: PROFILE

Frank Riva
The Man behind Carpe Diem.