The new tradition

Increasingly Japanese women are breaking with stereotyping and
chauvinism to assert themselves in this male-dominated nation.
KS meets some sportswomen who are doing it for themselves.
As part of Time magazine's recent feature on life in Japan, the
famous cartoonist Sakamoto drew four types of ‘typical' Japanese
women: ‘Desperate Housewives'; ‘Little Princesses', ‘Career
Women' and the aptly-named ‘Bad Grrrls' [sic]. The title of the
cartoon ‘When no choice is a good one' made Sakamoto's
statement for the future clear.
“I think the writer is a little out of date,” Yoshi giggles when
I tell her this. She is coming up for her 40th birthday and has
recently started learning acrobatics because she “always wanted
to learn back-flips.” One of a team of professional dancers at
USJ and an occasional stunt performer, she is the antithesis of
Sakamoto's characters - a woman who defies classification.
“Sometimes it's a little scary. But Japanese women are improving.
These days women aren't just the people [in the Sakamoto
cartoon] Women are enjoying their lives more.”
“Everyone in this group trains the same,” Her coach says,
guiding Yoshi and her team through the movements they will
have to perform in their upcoming showcase. He is keen to
impress on me that training hard is part of their lifestyle, three
to four hours of exercise being a typical Wednesday night,
“Hopefully people will realize that women are competing
at the same level as men in most sports.”
“I don't feel any handicap in the team, being a woman or a
Japanese,” Formula 3 (F3) racer Keiko Ihara states, shortly before
she represents Carlin in the best F3 series in the world - British
F3. The list of celebrity drivers who have gone through British
F3 to international success includes such luminaries as Ayrton
Senna, Lella Lombardi (Arguably the most successful female
driver of F1), Rubens Barrichello, and David Coulthard. Keiko
is clear in her aims, “What I aim for now is to become the best
F3 rookie of the year.”
Keiko's desire to break into the demanding world of racing is
further complicated by the response to her success in the media.
The attitude both at home and abroad showed clearly the problems
Japanese women have with being accepted for their talent
as opposed to their sexuality. The recent BBC article on Keiko
included a couple of paragraphs detailing other driver's attempts
to seduce her before any information about her successes. Subsequent
articles in Asia and America almost without exception
included a paragraph or two about her former career as a model.
Keiko admits with resignation that “sometimes it is difficult to
be taken seriously.”
Shinsumo (Ladies sumo) contestants likewise have to overcome
prejudice and ignorance as well as physical challenges.
Thanks to Sumo's application to become an Olympic sport,
shinsumo has suddenly found itself in the media for the first
time. The recent series of articles on shinsumo, whilst largely
positive, have included many sly allusions to the sport's origin
as a misogynistic spectacle in ancient Japan or jokes about
‘fat women in loincloths'.
The problem is further compounded by the traditional banning
of women from male Sumo bouts, in extreme cases causing
women to battle in separate venues. Many commentators also
point to the renaming of the sport as ‘new sumo' was a way for
sumo to ‘appease the traditionalists'. Others question whether
ladies sumo may just be a way for sumo to conform to the
requirements for an Olympic sport. Despite all these problems,
participation in the sport has increased 10 fold since 1996.
“We're not a novelty act - and we'll prove it through our
matches,” Rie Tsuihiji the 2002 national champion of shinsumo
is certain what she wants people who see her to focus on. Like
all shinsumo wrestlers she is amateur, stating simply, “We're in
it for the sport.”
A desire to play sports does not fully explain the reasons for
the changing attitudes of women towards sports. The statistics
can do little but suggest reasons for this shift. The Gender-
Equality Bureau of Tokyo's report showed significantly more
women than men advancing from high school to university/
junior college. Coupled with The Ministry of Internal Affairs
and Communication's report showing “a rise in the ratio of
employed females with … short hours compared with males.”
At best longer university careers and shorter hours offer a limited
explanation, and don't explain why many older women are
returning to sports, despite having families and full time careers.
“I think all of that is a part of it, but there is more to it,”
‘Alegria' Iwasaki has earned her respect competing in Shoriji
Kempo tournaments. In a career spanning seven years, she
reached the heights of 7th in the national mixed-sex tournaments.
Currently she is in Japan as an ambassador of the Afro-
Brazilian martial art capoeira. When asked about her motivations
she is keen to point out that many women have “their own,
unique motivations.”
“I employ whoever is the best,” Sauva, the co-owner of the
martial arts and dance gym where ‘Alegria' is employed adds.
He currently has female instructors for his breakdance, capoeira
and self defense classes, “People can look for reasons all they
want, but it's not about any factor except skills and a desire to
improve. Look at Miki for example.”

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The Miki in question is an eighth of the most successful
Japanese breakdance team in Japan's history. Most people have
seen her performances without being aware of it as she has
appeared in everything from USJ attractions to fashion shows.
I am invited to a B-girl showcase where the members of her
all-female break- dance class are performing. In a darkened club
I watch enthralled as the featured dancers flip, spin and dance
to a distorted funk song. I have an opportunity to interview a
dancer the team that performed before them. She is confused
when I ask her questions about why she dances, answering
simply, “Because it gives me a good feeling.”
I finally have an opportunity to interview Miki a week later in
a tiny dressing room where she is stretching in preparation for
her fifth international breakdancing competition. All around her
men are flipping and spinning, but she remains calm and focused.
Even in the room the roar of the crowd can be heard. The energy
is incredible and I notice that Miki's eyes are focusing on the
task she has to do. I try asking her a series of complicated questions,
but her focus is clearly on the task at hand. Her motivation
simply explained as a “desire to be the best at something.”
Ultimately that desire may be the only common link between
the interviewees. All of my expected criteria (Careers, marital
status, and age), offer no connections. The only theme seems
to be a passion to compete in their sport at the highest level
regardless of what social or physical barriers have to be overcome.
Perhaps this is summarized best by Miki as she answers
my final question before going on stage, “I don't feel anything
[about competing in a male-dominated sport]; I feel women
can be just as good …”
Text: Matthew Coslett • Images: KS
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